'Athlantis' is something like an oratorio, with the incredible singers Mike Patton and Jessika Kenney on the main parts. Inspired by Renaissance era literature and philosophy, 'Athlantis' was a chance for Eyvind Kang to interact with one of his favourites Giordano Bruno and his book 'Cantus Circaeus'. He studied and set the text, combining obscure poems from Bishop Marbode of Rennes, and some lines from the Hungarian epic 'Planctus Destructionis', he did the ground work and created the musical space. All of the singers, choir and soloists, came in and inhabited it and made it their own.