SOME WORDS FROM ITS CREATOR:
“A Garland Of Song was born out of a love for traditional music - it began as something I needed to get out of my system, but it soon became an obsession that took over my life for six months. The original idea was simply to record a traditional-based album, I didn't really have a theme or idea of how I was going to go about it. But then the recording was delayed by a few months and in that time ideas came thick and fast and the seed soon blossomed. Although it's not exactly a concept album, a feeling seemed to emanate over the sessions that tied the songs together and it soon became clear that (for me at least) this was going to be a very special project.The first songs I chose to record were those I knew well and had loved for what felt like a lifetime, but as the album progressed my thirst for traditional song grew and I begun unearthing music from the original revival which I'd never heard before. Every day I was finding new material that I desperately wanted to tackle and a wealth of songs couldn't be accommodated (making this very much an ongoing saga). By the time I had completed the album, with the help of some wonderful collaborators, I'd managed to truly get inside of these songs that I ended up feeling as though I'd written them myself. I set out to make the most exciting English folk album since Liege And Lief - I'll leave it up to you to decide whether I actually achieved that: it's certainly a celebration of the tradition, the beginning of a joyous re-telling of our song tapestry and ultimately something I'm incredibly proud of. I sincerely hope you enjoy it.”
— Steve Collins (Leigh-on-sea, June 2007)
A Garland Of Song was recorded and mixed almost entirely at home, with a group of like-minded collaborators, between December 2006 and June 2007; it fuses traditional British folk ballads with elements of psychedelic rock, occasionally bordering on a doom-laden garage sound, and is interspersed with Steven's original instrumental compositions. It recalls the great acid-folk bands of the late '60s/early '70s but never once sounds contrived or overtly retro - nobody has approached trad folk quite like this for over 30 years.